Straight Lines
You're running in circles Yet travelling in straight
lines You're racing around You move at the speed of time We're running
together We're moving along the way Whatever the weather You'll find
there'll be no delay
Sure you can hit the beaten track But you can never turn it
back
One way
Moving on a straight line Moving on a straight line
You're making decisions You wonder which way to choose There's this
way, and that way How could you ever lose We're shifting together We're
on a production line All drifting together As a patent unique
design
Yes you can hit the beaten track But you can never turn it
back
One way
Straight lines. Straight lines Straight lines. Straight
lines Straight lines. Straight lines Straight lines. Straight
lines
Moving on a straight line Moving on a straight line
It's part of the service That carries you on ahead There's only the
one way The ticket is in your head With robot precision We're gonna be
doin' just fine So here we are, here we go Moving in one straight
line
Sure you can hit the beaten track But you can never turn it
back
One way
Straight lines. Straight lines Straight lines. Straight
lines Straight lines. Straight lines Straight lines. Straight
lines
Sure you can hit the beaten track But you can never turn it
back
One way
Straight lines. Straight lines Straight lines. Straight lines
Their first single I think? I never heard it as a single. First heard
it when I bought 'From A to B'. That opening fooled my mum a few times,
answering the door to no-one. Of course all the NM trademarks are there.
Metronomic fast beat, guitar, melodic synths, catchy hook. No reverse echo on
the vocals unusually? Tony sings at least two layered vocal lines. Never fail to
enjoy this one but not the strongest track on the album. At over 5 mins it's a
stretch - the single was shorter I think. I do love the rasping synth pads, as
well as the string pads - credited to Nick Bailey (who's he?).
Never
really considered what the lyrics are about, but I suspect it's trying to say
that despite our bustling existence there's an air of predictable inevitability
about it all. Could be completely wrong of course!
First released in '79
- shall we have a 30th party in a few years?
(Graham G)
I first heard this one on my crackly old album, and not the single release –
that passed me by. I was very excited as the stylus met the vinyl... The
opening doorbell was a cool touch. (Perhaps not the first time it's ever
been used in a pop song – didn't Wings' "Let 'Em in" feature it, or am I way
off?) Anyway. The slow build up which follows creates tension well, and you do
wonder what is about to follow...
The bass kicks in nicely and sets a
fast pace (it must have nearly worn Tony Hibbert's fingers away), and I like
those repeated smooth electric guitar riffs. The track is almost danceable;
certainly it's very upbeat and energetic. Nice string synths (courtesy of Mr
Bailey), and some good use by Tony of his twelve-string acoustic. There is an
unusual 'buzzing' type of synth sound in the background which first starts at
around 50 seconds in, which adds intrigue...
I like those 'rasping synth
pads' Graham referred to. Well, I'm assuming they are the prominent white
noise-like 'Tss Ttsss' sounds in the right speaker? And also those slightly
similar but quieter sounds which almost echo Tony's "Straight Lines" vocal in
the chorus. They add a certain something to the track, definitely, and are quite
distinct. They also make use of the stereo soundstage in an effective manner.
Overall "Straight Lines" has some good atmosphere and a full 'band'
sound. Classic NM trademarks. It's a track I've never tired of and it never
outstays it's welcome even at 5:12.
And maybe it has a slightly sad (but
not depressing) feel to it? The lyrics describe how we all follow a certain
course in life and have no real say in the matter despite what we might like to
think. Well, that's my take anyway! It's a track I like and it sets the tone
well for what follows...
(RichardM)
Being nearly 30 years ago my memeory is a bit fuzzy but I seem to remember
first hearing Straight Lines on single after hearing and buying Living By
Numbers and World Of Water. Being the sad sack that I am I remember being
impressed that this was on the original GTO label, the same as Donna Summer
singles were.
Plus, for the first time, i'd seen what the band looked
like thanks to the picure cover!
As for the song itself, it was different
to Living and Water, more band like and less NM effects. I did have lots of the
acoustic guitar which is what I love about Tony's music.
It always
puzzled me why, as there was a long version on the album, this didn't come out
as a 12"?
Well not a great review, but hey, I'm an IT Technician not a
music writer! ;-)
(Vince W)
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